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"I always used to get shocked by the first guitar chords I had. They were really bad, With wires poking out and duct-taped ends. If you touched another guy plugged in, the power would snap your fingers and tingle for hours. It hurt. But it impressed on me the raw power of the instrument."
credits
released July 15, 2015
Nate Hall – Electric Vacuum Roar
1 – Dance of the Prophet
2 – Long Howling Decline/People Fall Down
Recorded January 2013 by Travis Kammeyer at Fahrenheit Studio, Johnson City, Tennessee.
Nate Hall – Words, voice, guitars, synth, floor tom, bells.
Brett Netson – Guitar, bass.
Words and music by Nate Hall except for People Fall Down- by Brett Netson/Caustic Resin.
Thanks to Monson Guitars for building my custom electrics, to Blackout Effectors for the invention of the Crystal Dagger and for much support over the years, to Brett Netson for the boost pedal, amp, and conspiracy, to Emperor cabs for my great 2x12s, to Earcandy cabs for my little purple 2x8, to Endangered Audio Research for use of the Gristleizer, to Nate Mack for building me the ultimate custom jumbo, to Schweet guitars for the Capricorn Bass, to Sherwood’s Music for the hookup, to Hovercraft amps for the little blue 5-watter, and to Robert English for the hours of conversation, knowledge of all things relating to amplifier and guitar - and for keeping all my gear in solid working order for the last decade.
Thanks to whoever invented the: Marshall Mosfet, Fender Deluxe, Gibson Goltone, Ibanez Tubescreamer, Ibanez D3, Boss HM-2, Fender Bassman 50 watt head, Bigsby tremolo, SD Invader, Gibson 500-t, and el-cheapo $20 p-90 pickups.
Thanks to Neurot Recordings, Relapse, Domestic Genocide, I’m Better Than Everyone, RAIG, My Proud Mountain, Inherent Records, Heart and Cross Bone, Play The Assassin, Family Night, Static Age, and all of the other labels that have supported me.
Thanks to all my family, friends, and everyone I have played music with over the years.
Thanks to USX for the chaos and tinnitus. Thanks to Richard and Scott for getting loud with me. Thanks to Travis for recording me and for letting me startle and frighten him.
Cover photo by Jake Thomas
Original inner-sleeve art by Jason Statts
Mixed by Dave Clark
Mastered by Binya Reches
supported by 7 fans who also own “Electric Vacuum Roar”
U.S. Christmas, anytime! Thanks Neurot! This is Magic.
I consider Run Thick In The Night one of the best written albums of all times. And this is just earlier. YomaBarr
supported by 5 fans who also own “Electric Vacuum Roar”
If for any reason you're like me and you hate post-metal but want to check this album out anyway because you like the cover art, don't bother. Post-metal sucks. I'll never understand how people can listen to a 10 minute song that takes 7-8 minutes to actually start and sit there the entire time and think "hmm yes this is quality, worthwhile music". Metal for people who hate metal. The only thing Inter Arma "combines" is your head against a pillow. Shark Tale
supported by 5 fans who also own “Electric Vacuum Roar”
I don't have the words to express the sheer beauty and depth to this piece. I'll tell you, though, when that distant train rolls by around the 20min mark, chills ran down my spine, and I felt so many wonderful weaving emotions, mostly tied to memories of growing up in a town where trains are heard in the distance nearly every night. AnHonorableLeech